The Hamilcast: A Hamilton Podcast

As I wrap up with author Daniel Pollack-Pelzner, we have a first for the pod! A Patreon Peep is taking questions from his fellow Peeps! The deep dive continues as Daniel shares more stories that didn’t make the book (Lin-Manuel Miranda: The Education of an Artist) and even tells us more details about things that *did* make the book. Plus, Daniel nerds out about Shakespeare, talks about his incredibly inspiring students and why "the future of the form is in good hands" (seriously, you will want to see these musicals YESTERDAY), and if you thought we were done talking about the nineties you have notttt been paying attention! Lin-Manuel Miranda: The Education of an Artist Daniel Pollack-Pelzner What Shakespeare Actually Did During the Plague (ARTICLE) Art + Medicine: What Shakespeare Actually Did During the Plague (VIDEO) Scrivener App (Not an ad! I don't do ads! It was mentioned!) Agustina San Martín Warriors /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Daniel Pollack-Pelzner, cultural omnivore and author of Lin-Manuel Miranda: The Education of an Artist, is back for round two and the deep dive continues! This week, Daniel tells us all about the time Stephen Sondheim visited Lin’s high school dished the dirt about West Side Story with a room full of teenage theatre kids. That's where Lin learned that not even Sondheim nails it on the first try, and the messy process can lead to something even better than the original. That could be its own episode but hell no there's so much more going on this week! Among other things Daniel talks about what *he* learned while writing the book, the power of a great cliffhanger (seriously, you'll get chills!), and the importance of finding your field of other people in bee costumes. Ahem... I trust you’ll understand the reference to the 90’s lore without my having to name that tune. Plus, Daniel fills is in about his work on Mary Kathryn Nagle's upcoming (and currently untitled) documentary film on tribal consulting tribal so

Daniel Pollack-Pelzner is an award winning author, educator, and bonafide fan of culture, Shakespeare, musicals, and artists. His new book, Lin-Manuel Miranda: The Education of an Artist, is part biography, part deep dive, and part oral history. It’s also a very beautiful (and honest!) tribute to Lin-Manuel and all the people and steps involved in the journey to who he is today. But if you think this is a boring stop on a press tour, think again! Daniel has been a Patreon Peep of The Hamilcast since 2018 and after years of writing about Hamilton’s cultural impact and then talking to over 150 people about Lin-Manuel Miranda for this book, he has three amazing episodes packed with story after story after story. This week, Daniel talks about the origin story of the book, pitching the idea to Lin-Manuel, Lin’s high school screenplay about the Hamilton-Burr duel, and why LMM’s one request was that the first person to be interviewed be his mother, Luz Towns-Miranda. She is a renowned psychologist (with a focus on c

We're wrapping up Tyler McKenzie's episodes as he continues to take questions from the Patreon Peeps. Tyler talks about his special bond with the Charlotte arts community, his experience go-go dancing for the legendary Trixie Mattel, and we won't call it a comeback but Janet Jackson is performing again and you need to get yourself there to experience it. We also had to take some time to discuss the pure magic that was the start of the Philip Tour. It was such a moment in time and it was very, very special for a lot of people - and not just for the people in it. For Tyler, the Philip Company will always be home, and he talks a lot about community, boundaries, and relationships *outside* of work. This is still a series about reflection so Tyler very honestly talks about what it's like to leave a show that wasn't just artistically fulfilling, challenging in all the ways, and an unparalleled learning experience but let's get real: he spent eight years answering that horrifying "so what are you up to?!" question b

Tyler McKenzie is back for round two! Tyler just wrapped up an eight year journey with Hamilton, starting as a swing on Broadway for six months and then spending the rest of his time as a Universal Swing and the Dance Captain of the Philip Tour. Make no mistake, Tyler was traveling all over the place, but as an original member of that now-famous (infamous?) Philip Company, "Philip will always be home." This week, Tyler talks about embracing his role as a teacher and a leader, which is absolutely pivotal when you're the dance captain. His teaching philosophy is simple: he understands that every performer learns differently. It's simple, but it feels rare! Tyler rightfully sees his ability create a safe space as his superpower, and he explains how he loves allowing dancers to learn, question, grow, and be as authentic as possible. It was wild to hear about how he was able to find all *kinds* of stability when his phone could ring at any moment telling him he needs to get on a plane tomorrow morning to dive head

Tyler McKenzie is back on the podcast! Tyler joined Hamilton Broadway in 2017 and only had one week off before starting rehearsals for the yet to be revealed Philip Company. He graciously spent his first night off with me, recording his first episode of The Hamilcast. Tyler would join me once again when Mike and I had a party with some members of the Philip Company in Vegas in 2018. Today, Tyler wanted to come back on the podcast to reflect on his eight year journey with Hamilton. We recorded this at the end of May 2025, just days before his final performance on tour... in Las Vegas. Tyler went from Hamilton Broadway to an original member of Philip, and during his time on tour he went from a swing to a universal swing to being both a universal swing *and* the dance captain of the Philip company. So yes, there is a lot to unpack. Not to mention that during the COVID lockdown, Tyler worked as a professor at Penn State teaching dance and musical theatre, and using this platform to hire his fellow performers when

The news is out! After nearly ten years and what will be 500 episodes, The Hamilcast will be coming to an end on January 26th, 2026, the podcast’s official ten-year anniversary. While the community isn’t going anywhere and the archive will always remain available, the weekly episodes you’ve come to expect will soon be wrapping up. Until then, this is going to be a PARTY. Let's celebrate this journey with memories, special events, plus a few repeat episodes to bring things full circle and look back on some extraordinary moments on the pod. While there is plenty of time to get emotional, I do want to make sure that I say I've loved making this show for you for all these years. Thank you for always being excited about things with me. It's been such a fantastic ride and I'm so happy to be celebrating with you. As we kick off the final stretch of The Hamilcast, let’s revisit when we fanned that spark into a flame, otherwise known as the time Lin-Manuel Miranda came over and ate popcorn with me and Mike for four ho

Desmond Sean Ellington is back for round two to further show that if you have to chase something, it’s probably not for you. This week, Desmond reflects on his five years touring with Hamilton as a standby and how he used what he learned making his Broadway debut in Hell’s Kitchen (after starting with the show down at The Public). As he continues to spread the Gospel of Surrender™, Desmond expands on his Hell’s Kitchen experience including how and why he turned down a chance to go back to Hamilton (hint: Broadway was calling!). Desmond also talks about being a firm believer that we all have the power to create the world we want to live in, why his unconventional way of finding his passion continues the cycle of representation, and reminds us to stay kind because that’s really what it’s all about anyway.  Plus, Desmond walks us through going craaaazy viral with his “One Last Time” soundcheck (if you haven’t heard it before GET READY it’s so good), how seeing Satisfied for the first time made him want to shoot

Desmond Sean Ellington spent five years on tour with Hamilton as a Standby and recently made his Broadway debut in Hell’s Kitchen, after starting with the show down at The Public.  Desmond’s story is so interesting because it’s a case study in what can happen when you make the hard decision to leave something behind that you know deep down isn’t meant for you - even if it’s terrifying! In Desmond’s case, he left college without a plan and even though he had no interest in theatre at the time, he always knew he “was going to be a star.” Once he walked away from what didn’t serve him, the whole world opened up. And to be fair, Desmond has an uncanny ability to speak what he wants into existence, like when he gave himself two years to be cast in Hamilton and found himself on tour with the show two months later.  From performing in Atlanta (shout out to The Alliance Theatre) to seeing the world as a background vocalist for renowned gospel/R&B recording artists, to being bit with the Broadway bug when he saw h

Award-winning and prolific Broadway producer Jeffrey Seller has finally made it to the podcast! Jeffery has produced Rent, Avenue Q, In the Heights, Hamilton, The Cher Show, and revivals of West Side Story and Sweeney Todd, just to name a few. Altogether his shows (currently) have 22 Tony Awards, and he's the only Broadway producer to have put up two Pulitzer Prize winning musicals: Hamilton and Rent. Jeffrey is the author of Theater Kid: A Broadway Memoir, which the New York Times describes as “a combination coming-of-age and rags-to-riches story that is unsparing in its description of his colorfully challenged-and-challenging father, unabashed in its description of his sexual awakening, and packed with behind-the-scenes detail, especially about the birth of Rent.” Not to mention the audiobook is voiced by a stellar cast of Broadway voices, and talking about them gives Jeffrey an idea *in real time *during our recording.  In our hour-long conversation, Jeffrey expands on his experience producing Rent with J

In Nevin Steinberg's second episode, the award winning Broadway sound designer gives even more insight to some of your favorite Hamilton moments including The Yorktown dance break and the stuttering gunshots heard throughout the show. And get ready to have your mind blown as Nevin shares the evolution of the Satisfied rewind, from Lin-Manuel Miranda's very first demo to the layered masterpiece we all know and love today anddddddd he shares a secret (and creepy! and awesome!) Easter egg that I promise you don't know about. While taking questions from the Patreon Peeps, Nevin talks a lot about how each sound is specifically chosen to tell a story, and even accents like cannon explosions and snare drums each have "their own personality."   Plus, Nevin talks about the steam whistle in 2023's Sweeney Todd revival, shares his thoughts on new cinema sound, explains his fascination with what it takes to be a great leader, and why when it comes down to it Nevin is only in it for the banter. Lin-Manuel Miranda on Sound

Award winning sound designer Nevin Steinberg has made it to the pod! Nevin is such a captivating storyteller and everything he talks about is infused with gorgeous detail and a palpable feeling of both awe and gratitude. You know how they say "how can you not be romantic about baseball?" How can you not be romantic about sound design?! That's what I say, anyway. In his first episode, Nevin walks us through his early career from working all night editing reel to reel tape with nothing but the ghost light and a healthy fear of the shadows (This is so fascinating and cinematic!! He can still taste the metal of the razor! That will make sense when you listen, I promise! I love it so much!) to dinner theatre and Sunset Boulevard and eventually a chance meeting on 42nd Street when he heard about a project called In the Heights.  Nevin has the most beautiful things to say about his experience working on Hamilton, including how it saved his career and reinstalled his faith in art and the people he gets to make it wit

After a quick detour talking about the magic of Rush, Jonathan Dinklage is back for round two and we’re diving into his Hamilton story. After participating in that reading he almost didn’t go to, Jonny says it was all over for him. He knew Hamilton was phenomenal and now he gets to be a part of it. From working with Alex Lacamoire to perfect the material, to getting the now legendary group of musicians together, Jonny is still not over how awesome it is that he gets to do this for a living.  This week, Jonny talks about why the Hamilton arrangements are so perfect, what it was like playing with legends like Barbra Streisand and Lady Gaga, and explains why karaoke is just the best, especially when Paul Rudd is involved.  UPTOWN MAMAS: A BENEFIT FOR MOMS IN NEED Comes To The Green Room 42 In May King Crimson - The Court of the Crimson King One More Once - No Middle Ground Jonathan Dinklage /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Grab your Rush t-shirt and your record collection because Jonathan Dinklage, Hamilton Broadway’s concertmaster, is here to blow your mind. He’s one of the coolest dudes ever and has stories for days, so buckle up. Concertmaster is a very fancy way of saying that he’s the first violinist in the pit and he’s the direct liaison between the musicians and the conductor. Jonny tries to downplay it (and yes, the term “concertmaster” sounds stuffy and has a lot of weight to it because it’s from the 1870s) but it’s a VERY important role. It’s a gig he almost didn’t take because when Alex Lacamoire called him to do a reading Jonny was like, “I don’t know, man, a reading?” But Jonny heard something in Alex’s voice that made him think that this was something he shouldn’t pass up.  In addition to Hamilton, Jonny’s a world class musician, arranger, composer, and producer. He’s worked on Broadway for over 30 years - both in the pit and on original cast recordings, he has about a zillion film and tv credits, and he’s played

Manny Schvartzman (Hamilton Music Director and Conductor) wraps up his episodes with some of the best questions he's ever been asked thanks to the Patreon Peeps. Manny discusses his favorite musical moments from the show, little details we should all look for, how he's still learning things even after performing the show over 1,000 times, and why seeing Hamilton is like going to an amazing restaurant. Plus, his favorite composers, why drummers are the heartbeat of a band, secrets about Hamilton's Exit Music, and the importance of staying curious and always striving to be better than yesterday. Oh, and we're still an Alex Lacamoire Appreciation Podcast :) Manny on Instagram REMASTERED: Yunchan Lim 임윤찬 – RACHMANINOV Piano Concerto No. 3 in D Minor, op. 30 /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Manny Schvartzman (Hamilton Music Director and Conductor) is back for round two as he continues discussing his experience putting up Rent in Cuba with Andy Señor, Jr in 2014. The whiplash of going from the shiny, multimillion dollar On Your Feet to a space with daily power outages and a lack of running water was an intense, rewarding, and life changing experience. It taught Manny that anything was possible, and theatre could truly be done absolutely anywhere. If he could do that, he could do anything. After Rent in Cuba and successfully adapting Gloria Estefan's music to a Broadway stage, Manny made his way to Hamilton, which he was a fan of "from day zero." Manny knew about Hamilton before any of us did, and being able to be a part of the show - and to work with his hero Alex Lacamoire - was beyond a dream come true. In this episode, Manny breaks down his super detailed job of Hamilton's music director (and conductor and keyboard player) and it takes us no time at all to become an Alex Lacamoire Appreciation

I hope you're ready for a deep dive on Team Music because Manny Schvartzman is here! Manny is the music director, conductor, and keyboard one player on Hamilton's Angelica Tour. In his first episode, Manny walks us through the early stages of his career, which started at around eight years old, when he started teaching himself to play piano and read music with the goal of being a classical pianist. By the time he was a freshman in high school, the word was out in Miami about kid from Buenos Aires who could play piano like nobody's business. Manny was like Schroeder - all about the classical music - and he couldn't be bothered with musicals like Fiddler on the Roof. But once he got a taste of the collaboration and storytelling involved in the theatre world, he never looked back.  Being his high school's music director at 14 years old was a formative experience and then you combine it with Manny's inherent curiosity, kindness, and relentless work ethic? He's unstoppable.  Manny was summoned to New York to work

Robbie Rozelle wraps up his episodes with the moment we've all been waiting for: Stephen Sondheim stories!! Robbie talks about extensively working so closely with the legend he calls a "deity" and why you always, always (always!) sing what Sondheim wrote on the page.  Robbie also takes us through creating his cabaret shows and explains why it's all about storytelling. Celebrities? Boring. What do YOU have to say? Let's find out what that is and then find ways to lift people up and make good art with and for the ones we love. Oh and we are all over the place so buckle up! We're talking Housewives, Taylor Swift, Scandoval (Team Ariana!), The Traitors (Gabby Windey 4eva we heart you Gaggy), the invisible string theory, and our TikTok FYPs. Robbie Rozelle @DivaRobbie  Robbie Rozelle - Songs from Inside My Locker (Live at Feinstein’s/54 Below) Gabby Windey on TikTok - Gaggy to u Fairuza Balk Taylor Swift - tolerate it   /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon

Robbie Rozelle is back for round two and I think it's safe to say that we are officially off the rails. After passing up lottery tickets to Hamilton at the Public in 2015, Robbie eventually saw it in previews and promptly had an out of body experience, prompting a StubHub debacle the very next day (remember those days?!). Robbie was the creative director of Playbill at the start and eventual astronomical height of Hamilton, so we take a look back on some of the insane fervor of that time and why some of it was probably not very cool (it's me, hi, I'm the problem, it's me). Plus, we share stories about being in the room for some very famous on-stage mishaps: breaking the fourth wall in Wicked and Gypsy, a drunk Richard Burton furious that they gave him the curtain during Camelot, Bette Midler mugging with a purse in Hello Dolly!, and the famous Emily Skinner/Linda Eder situation for that one night only performance of Jekyll & Hyde. Robbie Rozelle @DivaRobbie  Robbie Rozelle - Songs from Inside My Locker

Robbie Rozelle is a beloved cabaret artist, director, producer, housewives aficionado, and my friend. He identifies as a Charles Nelson Reilly with a Paul Lynde Rising. And guess what?! We're going back to basics! Robbie joins me in person, in my living room, and we talk about his Hamilton experience as well as pretty much everything else.  As a kid, Robbie fell in love with classic movie musicals (The Wizard of Oz, The Sound of Music, Annie (1982 ONLY), Bye Bye Birdie, Damn Yankees) and became transfixed. By the time he was cast as Scarecrow his freshman year of high school he knew he was going to be a performer. As a young gay kid in the middle of the AIDS crisis, Robbie found hope, joy, and a sense of belonging in theatre, which is why he's made it his life goal to preserve musicals through producing cast and artist albums.  This week, Robbie talks about his journey to New York City by way of upstate New York with a quick stop in Pennsylvania, how he became the Creative Director of Playbill, his transition